PRE-EXISTENCES.
The premises to that we arrive it was the antique stationer’s Bello. Of being recognized prestige in the city. The premises that there were the result of an intervention of the seventies. All the covered facade with platen of stainless steel. A composition Octopus. This intervention had emptied the lateral one of the façade that it gives in street of the deceased. Covered all two facades. Framed the emptiness as if of a submarine him treated. Every this in a historicist and romantic building of style from mid the 19th century.
PROGRAM
Squeezing in a shop of cloth, more or less, select. Where to place the separation among zone of men and women in a separate way, but without real physical elements. Suns it could work the psychology of the customer. Moreover to include offices, hidden, and a section of complements. Indispensable in a tent of this look. Another of the worries was to obtain the maximum from possible shop window given the narrowness and length of the premises. Also including the zones of coatings hidden and of logistics there. Zones of fitting rooms, from sex, separately but next in the complements and in the respective zones.
FORMAL AND THEORETICAL CONCEPTUALIZATION.
Vienesa tent: Elegance against the Kitsch.
A city that has minted a term how it is "coentor" very before that Hermann Broch him give such academic appellative to such term, it already places the coordinates where we move around. The facility that the promoter and the taste of the clientele itself would end up to stop in this situation it is not stranger in the city of Valencia. All the contrary. To retrieve the facades of the historical building was the first condition. Entertaining the shop windows with impervious modules. Each shop window of the “de transits” St it was a jeweller. The property desisted from using such concept in “de las barcas” St. Where dresses, coats, is stacked, shawls and hats. Already it is a different concept.
COMPOSITION.
We devised the tent like a sinuous itinerary, a flow, which it was necessary to avoid with high round tables of wood of make. These served as visual borders to mode of islands. In the background an U-glass source of glass that water on superior delivery, to the rhythm with the environment music, burst forth. This was the reference point on entering into the tent. That all the perception attracted. Behind the fountain a circular stair that climbed up the offices, the toilets of staff and some rooms of warehouse to an attic where they hid. There was also a made attic of outlined metallic that it guarded in tie shelving, belts, and other complements. Maintenance of the rain throwing slopes of brick of an inter axle of 140 cm. The light, the materials are who they give unitary character to the composition. The light that penetrates from the requirement helps and penetrates for on top of the shop windows, jewellers who eliminate the claustrophobic meaning for us. Rescuing and putting the decimononics elements that were discovered in value.
MATERIALIZATION.
Normal materials:
Carrying structure and walls of brick seen and varnishing.
Facades in street: layer overall scraped about walls of closing and load. Cleaning of the stone of basement.
Portam requirement: aluminium polished with emery of champagne colour.
Inner distributions: partition walls of 10 cm.
Interior coating, offices: plastering painted with white plastic paint.
Pavements: ceramic of mud-stoneware, type tessel•lat making concentric circles about each table.
Inferior fountain carried out with scree worked rustically.
Portam inside: DM plank ply of make inked in cherry tree.
Ceiling cleaned with rain throwing slopes of solid bricks.
Bouquet of locksmith: steel forged painted with black enamel.
Legs of a chair and frontals of stair reopened of wood of oak.
Break waters and pavements of common elements with natural stone.
Signs indicative of glass darkened black about frames of aluminium.
Outer lighting with projectors of halogen.
Lighting in the area inside from stretches. One with fluorescent tube pipes about a squared grill that bears glazing glass. And other with lights warm with halogens and focus of sodium.